Surreal/Experimental Horror
Works in this category usually generate fear through distortion of reality, pairing the dreamlike fare of surrealism with the darkness and dread of horror. Not all “experimental” works are surreal, of course: some works in this category generate their effects through other linguistic and narrative techniques outside the standard principles of storytelling.
- Arlington, Sam: “Best Seats in the House“
- De Marino, Nicholas: Living Nightmares [POETRY]
- Hessel-Mial, Michael: “Pseudodisplay for Voice and Captive“
- Hunter, Ian: Three Distorted Visions [POETRY]
- Leen, Gerri: Luminous Darkness: Escape and Transgression [POETRY]
- Ng, Lena: “Darkly Dreaming from the Abyss“
- Ng, Lena: Horrorku [POETRY]
- Partsi, Dimitry: “A Promising Void: The Memo-morphosis“
- Patrick, Valerie: “How May I Help You“
- Toase, Steve: “Dental Hygiene“
- Toase, Steve: “Húsið Mitt“
- Tulodo, Fendy S.: “Beneath the Boards“
- Tulodo, Fendy S.: “The Black Gut Laugh“
- Tulodo, Fendy S.: “Postmarked for My Bones“
- Tulodo, Fendy S.: “Genesis in Reverse“